This is an easygoing tune with a simple melody. The eighth notes are played unevenly because of the “Swing” style. Since the intro tag is played twice, you can play the second one much softer so it sounds like an echo. I was looking for a way to make the final section more interesting and decided to move everything up to the key of D. Watch out for the two sharps in the key signature: F# and C#. When you get to measure 51, start gradually fading out and keep getting softer until the end.
This song is in 3/4 and has a bit of a waltz feel to it. It makes me think of a street scene in Paris. The left hand should emphasize the downbeat of each measure, and then play beats 2 and 3 slightly softer. Make sure the left hand doesn’t cover up the right hand melody.
The key to learning this song is to make your left hand very smooth and steady. The right hand melody is fairly simple, so focus on an even left hand. At the same time, don’t let the left hand accompaniment cover up the right hand by being too loud. Finally, use the sustain pedal to help fill out the the sound.
This song is in 6/8 time, which gives it a triplet feel. Remember that there are 6 beats in each measure and every eighth note is one beat. Use the sustain pedal at measure 41 to help connect the left hand chords. Measure 57 should start softly and then gradually crescendo to measure 72.
This is a sad, slow song in B minor. I actually wrote this song reverse. By that I mean, the very first idea I came up with was measure 43-47. I kept coming up with new material, but everything felt out of order. So, I flipped the whole thing around, moving the beginning to the end. It was kind of a crazy composing process, but I think the song works. Lots of good stuff happening in measure 22-29 so bring this section out. A bunch of ledger lines in the right hand here, but keep in mind that it’s just octaves.