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I tried to write this song with a 50’s rock feel. The left hand has a classic bass line at measure 25 and you should really hammer this out. The right hand melody is played in octaves here with some “filler chord tones” like the F’s in measure 25 and the G’s in measure 27. I wrote a contrasting section starting at measure 57, which should be played softly. I used some different chord flavors to set this section apart along with a new accompaniment style. Then it’s back to rock ‘n’ roll at measure 73.